Government Support for Museums

A Study of How Governments Globally and Across Canada Support the Vibrancy of Museums

About

The Canadian Museums Association (CMA), BC Museums Association (BCMA), and the Provincial and Territorial Museums Associations (PTMAs), present this policy benchmarking report on government support for museums globally and across Canada.

As Canada’s heritage sector stands at a critical juncture, with the Department of Canadian Heritage working to renew the National Museums Policy for the first time since 1990, this report offers timely insights into innovative policies and practices from around the world. Our research aims to illuminate how governments at various levels and across different political systems are fostering the development and sustainability of their heritage sectors in the face of rapidly evolving technological, social, environmental, and political landscapes.

Our collaborative effort exemplifies the power of national and regional partnerships in producing robust, actionable research. By examining both international best practices and successful local initiatives within Canada, we provide a holistic view of the current state of museum support and identify opportunities for growth and innovation.

The policies and programs highlighted in this report span a wide range of crucial areas, including funding models, technological support, educational programs, conservation efforts, and emergency management. We have paid particular attention to initiatives that address the pressing challenges of our time, such as digital transformation, climate change, and the imperative for greater inclusivity and representation in our sector.

It is important to note that while this report offers valuable insights from around the globe, it is not intended to supersede or diminish the Canadian government’s commitments and legal obligations under the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP). We recognize the urgent need for a co-developed National Framework on Indigenous Cultural Heritage Rights, including repatriation/rematriation, as a fundamental aspect of fostering reconciliation within the heritage sector.

We present this research as a resource for policymakers, museum professionals, students, and members of the public who share our commitment to the growth and sustainability of Canada’s rich and diverse heritage sector. It is our hope that the Department of Canadian Heritage and other governmental bodies will find in these pages inspiration and practical ideas to inform the programmatic aspects of the forthcoming renewed National Museums Policy.

As we look to the future, we remain dedicated to advocating for policies and support mechanisms that will enable museums to thrive, innovate, and continue to serve as vital centers of education, preservation, and community engagement. We invite all stakeholders to engage with this report and join us in shaping a vibrant and resilient future for Canada’s museums.

 

        

  


Introduction

Museums, galleries, and heritage sites play a critical role in preserving and showcasing the cultural heritage of communities worldwide. As stewards of art, artifacts, and knowledge, museums require substantial support from governments to fulfill their missions. This benchmarking report examines provincial and global approaches and impactful practices in government assistance for museums across eight key themes:

  1. Policy Frameworks 
  2. Technological Support
  3. Educational Programs
  4. International Collaboration
  5. Conservation Efforts
  6. Emergency Management
  7. Marketing and Promotion
  8. Funding Models

For each theme, the report analyzes up to three provincial/territorial and international case studies highlighting innovative and effective government initiatives that strengthen museums. It draws key takeaways from these global examples and provides policy ideas tailored to the Canadian context (see Appendix). These ideas can be used as discussion points in local, provincial, and federal advocacy as they outline how other jurisdictions support museums through funding, policies, and collaborative initiatives. 

The report aims to inform efforts in Canada to enhance government support for museums through well-designed policies, strategic investments, impactful programs, and robust funding mechanisms. It highlights the importance of leveraging global knowledge and adapting international best practices to the unique needs of Canada’s museum landscape.


What is a museum?

This policy paper embraces a board and inclusive definition of museums. Broadly speaking museums are institutions created in the public interest. They must engage their community, foster deeper understanding, and promote the enjoyment and sharing of authentic cultural or natural heritage. Museums work to collect, preserve, research, interpret, exhibit, and enhance understandings of people and their environment. 

The ICOM provides the following definition: “A museum is a not-for-profit, permanent institution in the service of society that researches, collects, conserves, interprets and exhibits tangible and intangible heritage. Open to the public, accessible and inclusive, museums foster diversity and sustainability. They operate and communicate ethically, professionally and with the participation of communities, offering varied experiences for education, enjoyment, reflection and knowledge sharing.”

It is worth noting that while this paper uses the broadest possible definition of “museum,” many governments use the term in a much more restrictive fashion, limiting which types of institutions can and cannot access government support and funding.  For example, the Department of Canadian Heritage will restrict funding for museums only to organizations that maintain a permanent collection, excluding botanical and zoological gardens, aquaria, vivaria, and certain science centres and planetaria.


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Policy Frameworks


Policy Frameworks

Government policies, regulations, and standards play a crucial role in supporting and regulating museum operations. This section examines policy frameworks in the UK, France, and Australia.

UK: The Museum Accreditation Scheme

The UK Museum Accreditation Scheme is a comprehensive policy framework designed to support and standardize museum operations across the United Kingdom. This scheme establishes nationally agreed standards to ensure that all museums are sustainable, focused, and trusted, thereby inspiring the confidence of the public and funding and governing bodies. It covers three broad areas of museum activity: organizational health, collections, and users’ experiences, enabling museums to assess their current performance and support their planning and development of services.

The scheme is recognized as the UK industry standard for museums and galleries, assisting everyone involved with a museum in implementing the right practices for engaging with collections and ensuring their protection for future generations.  This fosters an environment where museums can meet agreed standards in how they are run, further contributing to the cultural heritage and educational landscape of the country.

Nearly 1,800 museums participate in the scheme. This participation demonstrates their commitment to managing collections effectively for the enjoyment and benefit of users, reflecting a broad and inclusive approach to museum management and cultural preservation.

Overall, the UK Museum Accreditation Scheme represents a significant policy framework supporting museums, underpinning their role in cultural heritage preservation, and setting a standard for their operations and public engagement.

France: Museum Quality Charter

In France, the Museum Quality Charter plays a crucial role in defining the core missions and responsibilities of national museums, setting professional standards for various museum activities, and granting the prestigious “Museum of France” status. 

The “Musée de France” designation is a mark of recognition by the Ministry of Culture, signaling the quality and significance of the institution and its collections. This status is granted to over 1,200 institutions across France, each featuring publicly accessible collections, a professional team, and a commitment to quality. These museums benefit from state aid and must meet specific criteria set by the ministry, including scientific and technical management of collections and guidance in architectural and museum projects.

The museum law of January 4, 2002, provides the legal framework for museums in France. This law not only establishes the heritage role of museums in preserving, studying, and enriching collections but also mandates their educational and knowledge dissemination missions. It harmonizes the status of state-recognized museums, improves the protection of collections, and highlights the state’s advisory role in museum operations.

To be accredited as a “Musée de France,” museums must fulfill four key criteria: leadership by qualified scientific staff, an educational service, maintenance of an inventory of collections, and the development of a scientific and cultural project outlining their main orientations. These standards ensure that museums contribute effectively to public knowledge, education, and enjoyment, while also advancing knowledge and research.

Through these policy frameworks, France effectively supports and regulates its museums, ensuring they uphold professional standards in conservation, inventory management, and accessibility, thereby enhancing cultural heritage preservation and public engagement

Australia: National Standards for Australian Museums and Galleries

The National Standards for Australian Museums and Galleries is a comprehensive framework that outlines best practices for museum operations in Australia. These standards focus on key areas of activity common to organizations that manage collections and provide collection, exhibition, and program-based services to the community. The aim is to support Australian museums, galleries, and collecting organizations in achieving their objectives, which range from high-level policy and planning to practical everyday activities.

Managed and developed by the National Standards Taskforce, a voluntary committee of representatives from state-based professional bodies for the sector, the standards represent a collaborative and evolving effort. This Taskforce includes members from Museums & Galleries Queensland, Arts Tasmania, Australian Museums and Galleries Association Victoria, History Trust of South Australia, Museum and Art Gallery of the Northern Territory, and Museums & Galleries NSW.

In 2021, the Taskforce undertook a significant update of the National Standards, funded by The Ian Potter Foundation. This update reflects the evolving nature of museum and gallery work, incorporating contemporary concerns such as copyright, digitisation, environmental sustainability, inclusive practice, and online engagement, along with a refreshed glossary and resources.

These standards ensure that Australian museums and galleries adhere to best practices in governance, management, collections care, facilities, and community engagement, with a focus on continual improvement through a self-assessment process.

Canada: Provincial and Territorial Museum Assessment Programs

Many Canadian provinces and territories have robust policies, regulations, and standards that support and regulate museum operations. While standards and programs vary dramatically from jurisdiction to jurisdiction, there is an opportunity to better align federal and provincial standards for the overall betterment of Canada’s museum sector. 

Alberta: The Recognized Museum Program (RMP) is a standards-based accreditation program for museums in Alberta offered by the Alberta Museums Association (AMA). To participate in RMP, organizations submit evidence to demonstrate how their work aligns with best practice standards in the Standard Practices Handbook for Museums, 3rd Edition in the following areas: Non-profit making, Permanent institution, In the service of society, Open to the public, Acquires, Conserves, Researches, Communicates, Exhibits. 

Nova Scotia: The TRACK program provides comprehensive training, resources, assessment, coaching, and knowledge-sharing for museums. It guides museums on updating their standards of operation and becoming stronger, more engaged organizations by identifying needs and opportunities for support.

Built on the Museum Evaluation Program’s (MEP) foundation, TRACK expands beyond museum standards to include EDI, accessibility, responding to climate change, and engaging in community-led services. Association of Nova Scotia Museums (ANSM) contracts additional professionals to provide content specific training and advice for participating museums.

Quebec: The accreditation of Quebec museum institutions is issued by the Ministry of Culture and Communications on behalf of the Government of Quebec. The program seeks to provide the population with access to high quality cultural experiences. This seal of quality is part of compliance with internationally recognized standards in terms of museological practices, and planning, protection and enhancement of heritage.

Reflections for a Canadian Context

While museum standards and accreditation programs exist in Canada through entities like the Canadian Museums Association (CMA), the Canadian Conservation Institute’s Conservation Assessment Program (CAP), and the Provincial/Territorial Museum Associations (PTMAs), there is no comprehensive national accreditation framework comparable to the UK’s Museum Accreditation Scheme​​​​. The Canadian Heritage Information Network (CHIN) and CAP provide some funding for digitization and conservation, but there is a perceived need for increased funding to better meet modern standards​​. The Museums Assistance Program offers project-based support with six streams including those for collections, digitization, exhibit circulation, and Indigenous heritage. There is a need for more substantial, sustained investments in Indigenous-led reconciliation initiatives beyond such short-term project funding. 

Policy Ideas:

  1. Establish a National Museum Accreditation Framework that Aligns with Existing Provincial/Territorial Programs: This framework could set standards for museum operations, exhibit management, community engagement, and preservation practices, ensuring consistency and quality across Canadian museums. 
    1. Ensure a National Museum Accreditation Framework Supports the United Nation Declaration on the Rights of Indigenous Peoples (UNDRIP): The BC Museums Association and First Peoples’ Culture Council recently published a policy paper that notes how accreditation systems have a key role to play in actioning UNDRIP within the museum sector. A national framework should include pathways for Indigenous communities and institutions to assess non-Indigenous museums to ensure that they are being better allies, working towards reconciliation, supporting repatriation, and supporting equity, diversity and inclusion. 
  2. Ensure that New Accreditation Frameworks Are Developed and Regularly Reviewed to Speak to the Needs of Changing Museum Sector: Future frameworks should include modern standards that address current challenges and opportunities in the museum sector, such as digital engagement, environmental sustainability, and accessibility. It is also critical that a commitment is made to review and update these frameworks on a regular schedule in order to ensure that they continue to innovate, adapt, and support.
  3. Alignment with Funding and Support Programs: The accreditation could be linked to eligibility for some funding programs like the Museum Assistance Program (MAP). Museums meeting these standards could receive priority in funding allocation, encouraging adherence to high-quality practices. However, it is important to note that under the current funding landscape, this is an imperfect solution. Tying accreditation to the MAP program would exclude a high number of small community museums due to the program’s requirement that eligible museums have full-time staff. Expanding access to MAP funding and linking it to an accreditation program would help to address this issue.
  4. Focus on Equity and Reconciliation: The framework should integrate equity and Reconciliation principles, with the utmost respect for Indigenous Museology. This involves developing criteria that reflect active support for equity, diversity, and implementation of UNDRIP in museum practices and governance.

Technological and Digital Support


Technological and Digital Support

Investments in digitization, online platforms, and virtual technology have the potential to help museums to preserve and provide wider access to cultural heritage. This section looks at digital initiatives in India, Estonia, Singapore, and Saskatchewan.

India: National Digital Repository for Museums

The National Digital Repository for Museums of India significantly contributes to the digital transformation of museums in the country. This initiative plays a crucial role in digital preservation and providing online access to heritage information resources for educational, research, and tourism purposes. By facilitating online accessibility of museum antiquities, it benefits a diverse audience including tourists, teachers, students, and researchers.

The project, designed and developed by the Human-Centred Design & Computing Group of the Centre for Development of Advanced Computing (C-DAC) in Pune, India offers an integrated access to theme-based collections and artifacts, irrespective of the physical and geographical locations of the museums that house them. This approach ensures that valuable cultural and historical artifacts are accessible to a wider audience, transcending the limitations imposed by physical location.

Moreover, the National Digital Repository for Museums of India, led by C-DAC, focuses on creating seamless access to collections and artifacts organized according to themes. This initiative, which aligns with the government’s Digital India vision, was first publicly released in 2002, marking a significant step in the digitization of India’s cultural heritage.

The project is developed and hosted under an agreement with the Ministry of Culture, highlighting the collaborative effort between technological experts and government entities to promote the preservation and accessibility of India’s rich cultural heritage in the digital era.

These efforts demonstrate a comprehensive approach to facilitating digital transformation in museums across India, with an emphasis on accessibility, education, and preservation of cultural heritage.

Estonia: Museum Information System

In Estonia, significant steps have been taken towards the digital transformation of museums, facilitated by technological and digital support.

Estonia launched the Museum Information System (MuIS) more than ten years ago, which is a state-developed system provided free of charge to museums. This system allows museums to manage their collections online, including accessioning, cataloguing, documenting loans, exhibitions, and conservation processes. MuIS also offers a digital repository for long-term preservation of digital content and a platform to introduce collections to wider audiences.

In 2015, the Estonian Ministry of Culture, along with its ICT partner, conducted an analysis to map current problems and future needs in this area. This led to the development of MuIS 2.0, which received EU structural funds for financing. The project, with development in stages, aims to equip museums with new solutions for various processes and a new public portal.

The Finna.fi search service (operated out of Finland) provides access to materials from archives, libraries, museums, and other organizations within Europe offered up by the providers for the collaborative service. This service likely includes Estonian collections as part of its database.

These initiatives in Estonia demonstrate a commitment to digital transformation in museums, including the digitization of collections, the development of digital repositories, and the enhancement of online accessibility.

Singapore: Museum Roundtable Digitalisation Program

The government-funded and enabled Singapore Museum Roundtable Digitalisation Program’s initiatives demonstrate significant commitment to integrating technology within the museum sector. Key aspects of this program include:

DigiMuse Presents at Asian Civilizations Museum: A project offering a mixed reality experience for visitors. This includes an interactive session where visitors can assume the role of a painting conservator and learn about artwork conservation through Microsoft Hololens 2 and Extended Reality videos.

DigiMuse Presents: An Excavation Through Time: Developed by iMMERSiVELY, this virtual reality experience allows users to simulate the experience of a modern-day archaeologist using HTC Vive headsets. It includes activities like excavating artifacts and learning about the excavation process through Extended Reality videos.

Yours Virtually by Culture Academy: This initiative brings together insights from key arts and cultural institutions in Singapore on integrating technology with the arts. It explores how these institutions have adapted their practices for the digital sphere, including the transition of mediums into virtual formats.

These programs exemplify a concerted effort to digitalize the museum experience in Singapore, enhancing visitor engagement and offering educational opportunities through advanced technology.

Canada: Technology Micro Grant for Community Museums in Saskatchewan

The majority of museums in Canada are small organizations with budgets under $200,000 annually that are located in non-urban communities. Many small museums find even modest investments in technology out of reach and benefit from technology microgrants. For several years the Government of Saskatchewan has partnered with the Museum Association of Saskatchewan (MAS) to offer annual Technology Micro Grants for Community Museums. These grants offer funding of up to $1200.00 to purchase computers or other technical equipment that will enhance the museum’s capacity for outreach and/or core museum functions.

Reflections for a Canadian Context

While Digital Museums Canada (DMC) supports digital storytelling and virtual exhibit development, there is potential for further enhancement using emerging technologies to improve accessibility and engagement. The current DMC funding program also offers severe limitations. Under the current DMC framework, the majority of DMC funding often goes towards hiring external web developers and technical consultants, meaning that in many cases, developing a DMC-funded project does not increase an organization’s digital literacy because the technical work is led by external contractors. Investing in digital literacy training for museum staff and content creators is crucial for capacity building, a need acknowledged by the DMC’s initiatives​​.

In a Canadian context, special care must be taken to ensure that Indigenous data sovereignty and cultural autonomy are at the core of all digital initiatives and programs. Technologies like artificial intelligence have the potential to appropriate and exploit Indigenous arts, culture, and heritage and also to help communities preserve and share their cultural knowledge. Care must be taken to ensure that well-meaning digital programs do not perpetuate harm. Supporting Indigenous-led digital repatriation and reconciliation is aligned with Canada’s UNDRIP obligation and could benefit from global learnings​​. 

Policy Ideas:

    1. Enhancing Digital Literacy and Skills Training for Museum Professionals: Developed training programs that compliment funding offered by Digital Museums Canada to enhance digital skills and literacy among museum professionals. This will enable them to effectively and ethically utilize digital tools and technologies, enhancing their ability to create engaging and educational digital content​​.
    2. Convening a National Forum on Museum Digitization Priorities: Establish a National Steering Committee, as outlined by the Coalition for Canadian Digital Heritage (CCDH) to develop digitization initiatives across Canada. This committee should include representatives from Indigenous communities and institutions, libraries, archives, historical societies, museums, galleries, and other relevant sectors. Its role will be to set direction, organize projects, and develop funding models for digitization efforts, ensuring a collaborative and inclusive approach​​. Work to convene a national forum should also include existing provincial and territorial initiatives. The forum could include organizations like the National Indigenous Knowledge and Language Alliance, Mukurtu CMS, the Reciprocal Research Network, Library and Archives Canada, the Canadian Museums Association, the Provincial and Territorial Museum Associations, and other Canadian and international organizations working to develop sustainable and culturally appropriate digital protocols and practices.
    3. Creating an Innovation Fund for Museums to Develop Projects with Emerging Technologies: Implement an innovation fund to support museums in exploring and integrating emerging technologies and digital interactives. This would enhance accessibility and engagement, making museum experiences more immersive and interactive, and ensure the long-term viability of digitized heritage​​. These funds could be delivered through Museums Assistance Program (MAP).

Educational and Community Programs


Educational and Community Programs

Museums serve an essential role in community engagement and education. Recent data from Reconsidering Museums shows that 93% of Canadians agree that museums spark curiosity, provoke wonder, and promote a love of learning. This section examines initiatives in Australia, Brazil, India, Alberta, and British Columbia aimed at strengthening these collaborations.

Australia: Museums as Community Hubs

In Australia, there are several initiatives and programs that align with the concept of museums serving as community hubs and engaging in educational and community programs:

Community Museums National Network: This group disseminates information and stimulates discussion on issues relevant to volunteer-run and small local and regional museums. It includes state and national institutions with outreach responsibilities and undertakes member surveys for research and consultation.

Funding Opportunities for Arts and Cultural Heritage: The Australian Museums and Galleries Association Inc. (AMaGA) has compiled a directory of funding opportunities for the arts and cultural heritage sector. This directory includes various categories such as arts, cultural heritage, Indigenous, and individual opportunities. Some of the core funding bodies include the Australian Government Regional Arts Fund, Australia Council for the Arts, Community Heritage Grants, Foundation for Rural and Regional Renewal, GrantsConnect, GrantGuru Community, Lotterywest, Museums & Galleries Queensland Funding Directory, National Cultural Heritage Account, and Visions of Australia.

Museum to You (M2U) Program: The National Museum of Australia offers the M2U education kit for schools, containing objects related to Aboriginal and Torres Strait Islander histories and cultures. This program includes lesson ideas, critical thinking questions, and activities designed to be used in classrooms.

Museum in the Classroom: This initiative involves museum educators visiting schools in the Canberra region, bringing historical objects for a hands-on, curriculum-aligned learning experience. Programs such as “People, Culture and Country” and “Back in Time” are offered for different year levels.

These initiatives demonstrate the Australian government’s and various organizations’ commitment to leveraging museums as integral parts of community and educational engagement.

Brazil: Museu Vivo (Live Museum) Program

The Museu Vivo program in Brazil exemplifies government initiatives aimed at fostering collaborations between museums, educational institutions, and local communities. The Museu Nacional Vive, for instance, has undertaken significant efforts in this direction:

Inclusive and Transformative Activities: The Teaching Assistance Section (SAE) of the National Museum conducts inclusive and transformative activities in Museum Education, stimulating interest in science and sharing knowledge.

School Community Engagement: The project involved exchanging knowledge with school communities and disseminating science. In 2019, it reached approximately 9,000 students from Rio de Janeiro’s schools.

Community Meetings: The National Museum organizes outdoor meetings and didactic collection exhibitions at Quinta da Boa Vista, encouraging community participation and exploration of various topics.

Young Scientists Club: This initiative includes fieldwork, visits to laboratories, and contact with the museum’s collections. It aims to cultivate a new generation of scientists and was recognized with the 9th Ibermuseum Education Award.

Support to Educators: The museum supports school education by loaning teaching materials, with over 1,200 specimens from the museum being used in Rio de Janeiro schools in 2019 to enhance classroom learning.

These examples highlight the Museu Vivo program’s commitment to inclusion, diversity, accessibility, and local development through the use of museum resources.

India: Museums of India Education and Awareness Program

The initiatives and programs related to museum education and community engagement in India reflect a commitment to integrating educational and cultural experiences.

National Museum Institute of History of Art, Conservation & Museology: This Institute, established and fully funded by the Ministry of Culture, is the only university in India exclusively devoted to museum-related subjects. It offers courses and research opportunities in History of Art, Conservation, and Museology. Additionally, it collaborates with national institutions to share resources and expertise and interacts nationally to improve teaching standards in these fields.

Museum Grant Scheme by the Ministry of Culture: This scheme aims to strengthen the museum movement across India. It provides financial assistance for setting up new museums, modernizing existing ones, digitizing art objects, and building the capacity of museum professionals. The scheme covers a wide range of museums, including those with collections of antiquities, paintings, folk art, and thematic or virtual museums. The scheme also requires museums receiving financial assistance to report yearly footfall for five years post-completion of the project, ensuring accountability and monitoring for effective implementation.

Canada: Campus Calgary / Open Minds Program in Alberta and Ontario and The VR Voyage Classroom in British Columbia

Campus Calgary / Open Minds is an innovative school program that brings the classroom to vibrant community settings. Teachers, students and community experts come together for a week-long curriculum-based experience, designed to meet the needs of each individual learner. The result is a catalyst for learning activities throughout the year that inspire and promote critical thinking and problem solving. For more than 25 years this program has reached tens of thousands of students across Alberta and has built ongoing relationships between museums, teachers, and school districts.

The VR Voyage Classroom: In 2021 the BC Museums Association (BCMA) and technology start-up Forager Education partnered to launch an innovative new education platform called The VR Voyage Classroom, a new platform for collaborative tech-driven solutions for museums and the wider arts, culture, and heritage sector. Museums can post their in-person or online educational content into one centralized, curriculum-connected platform and sell their experiences directly to teachers.

 

Reflections for a Canadian Context

Educational and community projects are a valued part of museums’ work and community impact. While the Museums Assistance Program (MAP) offers project-based support for heritage institutions and various initiatives, there is a significant opportunity to establish dedicated funding streams for ongoing educational outreach and engagement. This approach would provide continuity and foster relationship building, moving beyond the constraints of periodic project grants. The development of curriculum-linked educational resources and material culture, facilitated through museum-school partnerships, would require collaboration between ministries of education, school boards, museums, and Indigenous communities. 

Policy Ideas:

  1. Providing Core Multi-Year Funding for Museum Educational Outreach: Establish dedicated, multi-year funding within the Museums Assistance Program (MAP) for educational outreach initiatives. This funding would support the development of curriculum-linked resources and artifacts, facilitating effective museum-school partnerships. Such a sustained funding approach would enhance educational programs offered by museums and provide stability beyond the constraints of periodic project grants.
  2. Facilitating Dialogue and Relationship Building Between Ministries of Education, School Boards, and Museums: Develop a collaborative task force involving ministries of education, school boards, and museums to develop strategic considerations for incorporating more museum resources into school curricula. This task force would leverage existing protocols for collaboration on school curriculum, aiming to enhance the educational value of museum collections and exhibits for students across Canada. This task force could also include organizations like the National Centre for Truth and Reconciliation to provide an opportunity to bring curricula in every province into alignment with the Truth and Reconciliation Commission’s Calls to Action as well as the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP).
  3. Enhancing Digital Access and Literacy in Museums: Focus on increasing digital literacy among museum professionals and enhancing digital access to heritage collections. This can be achieved by reviving initiatives like the Digital Access to Heritage component of MAP, which fostered improved access to collections through digitization and digital content development. Develop funding programs that support digital literacy professional development opportunities and digitization efforts that preserve heritage and make it more accessible and engaging for a wider audience.

International Collaboration and Networking


International Collaboration and Networking

Museum partnerships across borders facilitate the sharing of expertise, innovations, and help to ensure that Canadian museums are an active part of the global heritage community. This section examines efforts in the EU, UAE, and South Korea.

EU: NEMO – Network of European Museum Organisations

The Network of European Museum Organisations (NEMO) is an independent network, not a government body. Founded in 1992, it represents the museum community of the member states of the Council of Europe. NEMO’s members speak for over 30,000 museums across 40 European countries. Its key objectives include connecting European museums and their national organizations, promoting European policies beneficial to museums, supporting learning through networking and cooperation, and acting as an information channel between European institutions and museums.

NEMO is supported by a large network of partners, indicating a collaborative approach rather than direct government funding or control.  Additionally, it actively participates in various EU-funded projects and cross-border collaborations to strengthen and professionalize the European museum sector. This suggests that while NEMO may receive some funding from EU projects, it operates independently of direct government oversight.

Furthermore, NEMO assists museums in navigating EU funding opportunities, which support museums at both local and international levels. This includes guiding museums through the process of accessing funding from different EU programs relevant to their activities.

Addressing Climate Crisis: As part of its commitment to advocate for collaboration in the European museum sector, NEMO pledges to address the climate crisis. This includes ensuring that museums are recognized and supported in their contributions to a sustainable future. Over the next three years, NEMO will focus on greening the sector, encouraging sustainable practices, contributing to policy development, and promoting the role of museums in public awareness and action on sustainability challenges. 

Toolkit for Accessing EU Funding: To assist cultural organizations in accessing EU funding more effectively, NEMO launched a toolkit titled “Cross-Border Cooperation for Museums”. This toolkit provides an overview of current funding opportunities and aims to empower museums to participate in EU funding programmes.

These initiatives by NEMO illustrate how government support and organizational frameworks can enhance the role of museums in international collaboration, networking, and cross-border projects, contributing significantly to the cultural and educational landscape of Europe.

Ki Culture

Ki Culture is an international nonprofit working to unite culture and sustainability. They use “culture” as an all inclusive term – from visual arts to heritage to performing arts and all organizations/communities who have roles to play. They use the word sustainability in a wide sense- encompassing all three pillars (environmental, social, and economic) – redesigning systems and rethinking how and what cultural organizations and professionals do to find win – win – win solutions: better for the people, better for the culture, and better for the planet. 

Ki Culture is committed to the integration of sustainability into culture through the inside-outside model: by making the cultural sector sustainable (environmentally, socially, and economically) and using culture to educate audiences, communities and the general public on sustainability.

South Korea: Asia Culture Center International Exchange Programs

The Asia Culture Center (ACC) in Gwangju, South Korea, exemplifies government support for museums in international networking and collaborative projects. ACC is renowned as an international arts and cultural exchange organization. It focuses on producing new, future-oriented results through the convergence of Asia’s past and present arts and culture with innovative ideas and beliefs.

One of the key initiatives of the ACC is its international residency program, ACC_R, which is a platform for research, creation, and production. This program effectively brings together creative talents from various regions and disciplines, fostering a vibrant exchange of cultural and artistic ideas. The ACC Residency program serves as a year-round platform, significantly contributing to the center’s goal of making Korea a cultural hub in Asia.

Through these programs, the ACC plays a pivotal role in promoting international collaboration and networking in the cultural sector. By facilitating residencies, fellowships, and conferences for global cultural leaders, the ACC actively supports the sharing of expertise and experiences across borders, thereby enhancing Korea’s cultural influence and connectivity in the Asian region.

Reflections for a Canadian Context

While Canada participates in international museum organizations like the International Council on Museums (ICOM), there is potential to expand strategic partnerships through cross-border exhibitions, collaborations, and expertise exchanges, building on the global engagement of Canadian museums​​​​. In the area of international digitization and knowledge repatriation, Canada is beginning to address the repatriation of Indigenous artifacts, reflecting a growing movement that could significantly impact museums and cultural institutions across the country​​​​​​.

Policy Ideas:

  1. Establishing UNDRIP-Informed Policies, Funding, and Legislation that Supports Global Repatriation: Canada’s National Museum Policy has not been updated in three decades and lacks policies, protocols, and funding programs to support a global repatriation strategy. The first, and most critical part, of any international museum policy discussions is the working with Indigenous communities, museums, and cultural organizations to establish UNDRIP-informed policies, funding, and legislation to support global repatriation of both items back to communities within the colonial borders of Canada and to return items being held without consent by Canadian cultural institutions. 
  2. Providing Grants and Support for International Traveling Exhibitions: The Museums Assistance Program (MAP) in Canada already offers an Access to Heritage component that promotes access to heritage across different regions in Canada, especially for travelling exhibitions​​. Expanding this to include international travelling exhibitions would allow Canadian museums to reach global audiences and facilitate cross-cultural exchanges. This could involve providing grants and logistical support for museums to host or participate in exhibitions abroad, fostering international collaboration.
  3. Funding Canadian Expert Contributions to Global Museum Conferences and Networks: Canadian museums and professionals could benefit from enhanced participation in global museum conferences and networks. The government can provide funding for Canadian experts to attend and contribute to these international events. This approach could be supported by Global Affairs Canada programs that offer funding opportunities for initiatives focusing on global issues and international collaborations​​​​. Such involvement would enable Canadian museum professionals to share their expertise, learn from international best practices, and develop global partnerships.

Conservation and Preservation Efforts


Conservation and Preservation Efforts

Preserving cultural heritage requires investments in conservation science and collaborations with experts. This section examines projects in Peru, Sri Lanka, and Egypt.

Peru: National Institute of Culture Conservation Projects

The National Institute of Culture of Peru (Instituto Nacional de Cultura del Perú, INC) is a government organization under the Ministry of Education. It is tasked with promoting culture, spreading knowledge of national cultural heritage, contributing to national development, and encouraging community and private sector participation in cultural affairs. The INC’s functions involve formulating and executing state policies and strategies regarding cultural development, conservation, and the investigation of Peru’s cultural heritage.

In addition to domestic efforts, international support plays a significant role in preserving Peru’s cultural heritage. For instance, the Ambassador’s Fund for the Preservation of Cultural Heritage, established by the United States Congress and implemented by the Department of State’s Office of Educational and Cultural Affairs, has been instrumental in supporting conservation projects in Peru. This fund focuses on both tangible and intangible heritage, with financial support ranging from USD 10,000 to USD 500,000 for various projects. Since its inception, Peru has received over USD 3 million from this fund for conservation efforts.

Furthermore, the Government of Peru, in collaboration with WWF and other partners, has committed USD 140 million to manage and protect approximately 17 million hectares of protected areas in the Amazon. This initiative, known as “Patrimonio Natural del Perú” (National Parks: Peru’s Natural Legacy), aims to create financial sustainability for the entire national protected areas system. This program is essential for preserving biodiversity and mitigating environmental threats such as deforestation and climate change. About half of this funding comes from a mix of private and public sector donors, with the Peruvian government contributing USD 70 million over the next ten years.

These efforts demonstrate a multi-faceted approach to conservation in Peru, involving government agencies, international partnerships, and significant financial commitments to preserve both cultural and natural heritage.

Sri Lanka: International Partnerships in Cultural Heritage

Sri Lanka demonstrates significant government support for the conservation and preservation of artifacts. One notable example is the partnership between the Sri Lankan government and international entities such as the U.S. Embassy. Through the Ambassador’s Fund for Cultural Preservation (AFCP), the U.S. has provided grants to aid in preserving Sri Lanka’s cultural heritage. For instance, the University of Sri Jayewardenepura received a USD 150,000 grant for the restoration of the Rajagala Monastery, building upon a previous USD 100,000 grant from 2013. This funding supported detailed ground surveys and the conservation of significant monuments.

Additionally, Sri Lanka’s Department of Archaeology received a USD 150,000 grant to improve the storage and preservation of artifacts at the Anuradhapura Archaeological Museum. This museum, one of Sri Lanka’s most visited, had previously received support from the U.S. Embassy with grants in 2009 and 2012.

Since 2005, the U.S. Embassy through AFCP has funded eleven conservation projects in Sri Lanka, representing a total commitment of over USD 730,000. This collaboration between the U.S. and Sri Lanka underscores the importance of international cooperation in preserving cultural heritage.

These examples highlight the Sri Lankan government’s commitment to artifact conservation, not only through direct efforts but also by leveraging international partnerships to enhance their conservation capabilities.

Egypt: The Grand Egyptian Museum Conservation Center

The Egyptian government has demonstrated support for the conservation and preservation of artifacts, particularly through the establishment and development of the Grand Egyptian Museum Conservation Center (GEM-CC). This center was constructed by the Egyptian government’s own budget in 2010 adjacent to the Grand Egyptian Museum, one of the world’s largest museums dedicated to a single civilization’s artifacts. The project is overseen by the Ministry of Culture.  .

The Grand Egyptian Museum, including the Conservation Center, also received support through an official development loan from Japan, highlighting the international interest and investment in the preservation of Egypt’s rich cultural heritage. This collaboration emphasizes the global significance of Egyptian antiquities and the need for state-of-the-art facilities to preserve them for future generations.

The Conservation Center is equipped with modern facilities and technologies, ensuring that Egyptian antiquities, including those from the Grand Egyptian Museum, are meticulously conserved.

These efforts by the Egyptian government, in collaboration with international partners, underline the importance placed on safeguarding Egypt’s ancient artifacts and contributing to the global understanding and appreciation of its rich cultural history.

Reflections for a Canadian Context

Canada’s heritage conservation efforts are supported through a mix of federal, provincial, and local initiatives. The federal National Cost-Sharing Program for Heritage Places and the Canadian Conservation Institute promote heritage conservation. At the local level, programs exist in municipalities across the country to support conservation work on designated properties​​​​. 

Policy Ideas:

  • Work with Indigenous Communities, Museums, and Cultural Organizations to Develop Culturally-Informed Conservation and Preservation Programs: At the 2023 BCMA Gathering held in partnership with Saahlinda Naay Haida Gwaii Museum, staff members from the Canadian Conservation Institute (CCI) co-lead a workshop with curators from the Haida Gwaii Museum exploring cultural heritage preservation through both the lens of colonial practices and through Indigenous protocols of care. This opportunity represented a sharing of knowledge that resulted in an increased understanding of both Haida and colonial conservation and preservation methods, and how community knowledge informs those practices. Organizations like CCI as well as Indigenous communities require access to funding to support intercultural knowledge exchange.
    1. Expanding Conservation Grants and Tax Incentives for Museums: This involves enhancing the scope and funding for programs like the National Cost-Sharing Program, but with a specific focus on museums. This expansion would enable more museums, particularly smaller or regionally significant ones, as well as rural museums or those in remote regions that face high transport costs, to access funds and tax incentives for preservation and conservation work.
    2. Developing Sector-Specific Training and Professional Development: Creating and funding training programs specifically designed for museum professionals. This could include workshops, seminars, and online courses on the latest conservation techniques, heritage management, and digital archiving, and incorporate concepts of Indigenous ownership and consent. These programs would enhance the skills and knowledge base of museum staff, enabling them to better preserve and present heritage.
    3. Promoting Collaboration and Networking Among Museums: Encouraging collaborative projects and networks among museums across Canada. This could involve shared conservation projects, exchange programs for museum professionals, and joint exhibitions. Such collaboration would allow museums to pool resources, share expertise, and work together on large-scale conservation initiatives.
    4. Enhancing Public Engagement and Education in Heritage Conservation: Developing programs that increase public awareness and participation in heritage conservation, with a special focus on museum collections. This could include interactive exhibits, public lectures, and educational programs that highlight the importance of preserving cultural heritage and the role of museums in this endeavor.
    5. Recognize that Emergency Preparedness is an Essential Part of Conservation: While emergency support and crisis management are discussed in detail in the next section, increasingly frequent climate disasters are one of the biggest threats to the preservation and conservation of tangible and intangible cultural heritage. Future local, provincial, and federal emergency management programs must take the unique needs of the heritage sector into account in order to safeguard our shared heritage.

 

Emergency Support and Crisis Management


Emergency Support and Crisis Management

Museums require assistance to sustain operations during emergencies and crises. This section examines relief efforts in the USA, Italy, and UK.

USA: CARES Act Funding During COVID-19

The U.S. government provided significant support to museums during the COVID-19 pandemic, particularly through the CARES Act funding. This initiative was vital in assisting museums to cope with the challenges posed by the pandemic.

CARES Act Funding for Museums and Libraries: The Institute of Museum and Library Services (IMLS) announced that USD 13.8 million  was allocated in IMLS CARES Act Grants to support museums and libraries in responding to the coronavirus pandemic. These funds were part of a broader USD 50 million coronavirus response funding designated for IMLS under the CARES Act. This funding was crucial for institutions to prevent, prepare for, and respond to the pandemic, including expanding digital network access, purchasing internet-accessible devices, and providing technical support services to their communities. 

Support for Operational Costs and Safety Upgrades: The grants supported a variety of projects that helped museums and libraries adapt to the challenges of the pandemic. For instance, the Evanston Public Library used the funds for its “Ready to Work: Bridging the Digital Divide for Tomorrow’s Workforce” program. This program aimed to provide access to technology and resources to help patrons build job-ready skills. Similarly, the Museum Association of New York supported 100 museums in high-need locations in the state to help them respond to the pandemic by giving staff tools and training to reach their communities virtually. 

Sustaining Cultural Institutions Through Closures: The CARES Act funding was vital in sustaining cultural institutions during a time when many faced closures and a significant loss in revenue. IMLS Director Crosby Kemper highlighted the deepening digital divide during the pandemic and the crucial role of libraries and museums in providing access to information about the virus, government actions, community safety messages, telemedicine, job, and unemployment resources. This funding was intended to sustain these trusted institutions as they continued to support their communities during the pandemic. 

These measures illustrate the government’s commitment to ensuring the survival and continuity of cultural institutions during an unprecedented global health crisis and recognize the vital role they play in communities. By providing emergency support and crisis management through financial aid, the U.S. government played a crucial role in helping museums navigate the challenges posed by the COVID-19 pandemic.

UK: Protecting Cultural Heritage in the Face of Climate Change

The British Council has announced a significant initiative to support 17 new projects aimed at protecting heritage at risk worldwide, including those threatened by climate change. This support, amounting to £14 million, is facilitated through the British Council’s Cultural Protection Fund (CPF), in partnership with the Department for Digital, Culture, Media and Sport (DCMS). The announcement was made at a meeting of the International National Trusts Organisation (INTO) at COP27, focusing on building adaptation and resilience in sites of heritage and culture.

One of the key projects funded by this initiative is an effort by the Egyptian NGO Megawra to revive and protect two Islamic monuments in Cairo. These historical sites are increasingly threatened by rising temperatures and flooding, highlighting the need for measures to protect against the impacts of climate change. The British Council emphasizes the importance of protecting global heritage from both conflict and climate change, noting that the selected projects represent a diverse range of approaches but share a common goal of safeguarding cultural heritage for future generations.

In addition to supporting physical heritage sites, the British Council, in collaboration with the University of Cambridge, is funding two 12-month research fellowships on cultural relations and climate action. This is part of their Climate Connection programme, and it includes partnerships with the Indian Institute of Technology, Mumbai, the International Centre for Climate Change and Development (ICCCAD) in Bangladesh, and the American University of Cairo (AUC) in Egypt. The program aims to fund early-career researchers from the global south to undertake research fellowships in the UK, contributing to the understanding and response to climate change in the context of cultural heritage. 

Canada: BC Heritage Emergency Response Network and Alberta HELP! Online Resources

The BC Heritage Emergency Response Network (BC HERN) is a growing network of arts, culture and heritage professionals and volunteers in BC who feel morally and professionally obliged to plan for emergency situations and to support other cultural institutions in the event of localized emergencies that impact collections. The initiative was born from the identified lack of a unified support plan for disaster response and collections salvage in the province in light of the growing risk to collections due to climate change. For more information on BC HERN, check out their website.

HELP! An Emergency Preparedness Manual for Museums and accompanying Online Resources were developed with funding provided through the Museum Flood Funding Program. As a multi-year initiative supported by Alberta Culture and Tourism, the Program provided assistance to museums affected by the June 2013 floods, and ensured at-risk museums are able to mitigate potential damage in the event of future flooding emergencies. The AMA appreciates the Government of Alberta’s commitment to assisting flood-affected cultural institutions.

Reflections for a Canadian Context

During the COVID-19 pandemic, Canada provided targeted relief funding to museums, demonstrating a robust response to immediate crisis needs. The Museums Assistance Program (MAP) adjusted eligibility criteria to accommodate various organizations during the pandemic​​. Heritage institutions, including museums, benefited from a part of the $500 million COVID-19 Emergency Support Fund for Cultural, Heritage, and Sport Organizations, indicating a significant federal investment during the crisis. Concurrently, Canada is acknowledging the impact of climate change on its society and environment, as highlighted in the National Adaptation Strategy. This blueprint focuses on strategic risk reduction and addresses climate change impacts across various systems, including infrastructure, economy, and human health.

Policy Ideas:

  • Develop Funding and Training that Support Indigenous Communities: Structural inequalities resulting from the ongoing colonization of the lands now called Canada mean that Indigenous communities are disproportionately impacted by climate change, exacerbating health and socio-economic inequities and food/water insecurities. Indigenous communities also face greater risks from forest fires than non-Indigenous communities in Canada. It is critical that policies are developed at the local, provincial, and federal levels to ensure that Indigenous communities have access to culturally-informed conversation and preservation programs to protect their tangible and intangible cultural heritage and funding to ensure communities can respond to threatens quickly and effectively.
  • Establishing Permanent Emergency Response Funds for Museums: In light of the temporary relief provided during COVID-19, there is a clear need for permanent emergency response funds. This would ensure rapid mobilization of resources in future crises, providing a safety net for heritage institutions. The existing funding models can serve as a template for more permanent solutions.
  • Mandating Integration of Climate Risks into Museum Disaster Planning with supportive funds: As climate change poses increasing threats to cultural heritage, it’s imperative to integrate climate change risks and adaptation strategies into museum policies. The National Adaptation Strategy’s focus on disaster resilience and infrastructure protection can guide museums in developing climate-responsive disaster planning​​.
  • Developing Standardized Emergency Protocols and Risk Preparedness Guidelines: To protect museum collections from diverse threats, systematic emergency protocols and cultural heritage risk preparedness plans are crucial. These should be standardized nationally to ensure a cohesive approach with integrated goal setting to ensure those not meeting the standards can create action plans to improve their protocols and preparedness. The National Adaptation Strategy, along with other national frameworks like the Emergency Management Strategy for Canada, can serve as a foundation for these protocols, ensuring a comprehensive approach to risk management and resilience building​​.

 

Promotion and Marketing


Promotion and Marketing

Strategic marketing and promotional campaigns can boost museum attendance and accessibility. This section looks at initiatives in China, Mexico, and Malaysia.

China: Promoting Heritage Through National Tours and International Exchanges

National Treasures Exhibition Tour Increases Accessibility: The exhibition of national treasures, such as the famous historical scroll painting “Emperor Taizong Receiving the Tibetan Envoy” by Yan Liben, was displayed at the Palace Museum in Beijing. This exhibition is part of a larger initiative to make Chinese cultural relics more accessible to the public, both within China and globally. This particular exhibition showcased a total of 108 cultural relics, demonstrating a commitment to raising cultural heritage awareness nationwide. 

Rotating Exhibits Travel Across the Country: The third season of the cultural TV program “National Treasure” was launched by China Media Group (CMG), which planned to explore a total of 27 treasures from nine museums across China. This initiative indicates the rotating nature of the exhibits, making them accessible in different parts of the country. The aim is to present the distinctive charm of Chinese civilization and call for greater attention to the inheritance of Chinese cultural heritage. 

International Exhibitions and Cultural Festivals: Chinese cultural and art treasures have been showcased in many parts of the world. For example, an exhibition of the Terracotta Army, under the theme “Terracotta Warriors: Guardians of Immortality,” was held at New Zealand’s national museum in Wellington. This exhibition, along with others showcasing the lives of emperors and empresses of China’s Qing Dynasty in museums in Washington D.C. and Moscow, reflects the international reach of China’s efforts to promote its cultural heritage. These exhibitions serve not only as cultural displays but also as a means of facilitating cultural exchanges on a global stage. 

These efforts by the Chinese government exemplify a strategic approach to promoting museums and cultural heritage both domestically through tours and exhibitions and internationally through participation in global cultural festivals and exhibitions. This strategy helps to increase accessibility to Chinese cultural treasures, raises awareness of its rich heritage, and fosters international cultural exchanges.

Mexico: Enhancing Archaeological Tourism through Development and Promotion

Role  of The Nacional de Antropología e Historia / National Institute of Anthropology and History (INAH): Established in 1939, INAH is a Mexican federal government bureau dedicated to the research, preservation, protection, and promotion of Mexico’s prehistoric, archaeological, anthropological, historical, and paleontological heritage. This bureau oversees more than 110,000 historical monuments and around 29,000 of Mexico’s estimated 200,000 pre-Columbian archaeological zones. 

Maintenance and Care of Archaeological Sites: INAH is responsible for maintaining and caring for archaeological sites across Mexico, a task that dates back to the Inspectorate of Monuments during the reign of dictator Porfirio Diaz. It is also in charge of overseeing museums throughout the country, under the umbrella of the Secretariat of Culture. The organization’s core mission includes the conservation, protection, maintenance, and restoration of Mexican archaeological sites and artifacts. 

Development of Visitor Routes and Trails: INAH is actively involved in opening new archaeological sites to the public and enhancing the visitor experience at existing sites. For instance, Mexico has announced plans to open two new archaeological sites in Quintana Roo, namely Ichkabal and Paamul II, both located near the path of the Mayan Train. These sites are expected to attract a significant number of visitors. Additionally, well-visited archaeological sites such as Chichén Itzá, Uxmal, and Kabah are scheduled to receive upgrades to their facilities and new museums. Other sites along the Mayan Train route, including Reforma del Moral in Tabasco and Xiol on Mérida’s outskirts, are being restored to attract more visitors. 

Partnership with Tourism Boards: The development and promotion of these archaeological sites and routes align with INAH’s broader mission to promote Mexican culture both domestically and internationally. The development of visitor routes and the enhancement of archaeological sites are inherently linked with tourism promotion and likely involve collaboration with various tourism stakeholders.

Malaysia: Encouraging Museum Visitation through Innovative Engagement

Kelantan Museum Passport Program: The Kelantan state government, in collaboration with the Kelantan Museum Corporation, launched a museum passport program targeting the public, school children, and students. The RM10 museum passport, valid for life, is an innovative approach to boost domestic tourism and encourage museum visitation. 

Islamic Arts Museum Malaysia Passport: The Islamic Arts Museum Malaysia offers a Museum Passport program that involves finding different artefacts within their galleries. This program is designed for children aged 7 to 12 years and aims to acknowledge visitors for completing their gallery journey. The passport program at this museum exemplifies how such initiatives can enhance the museum experience, particularly for younger audiences.

Canada: BC and Alberta Ale Trails

Destination BC and Travel Alberta to establishing funding to promote domestic tourism and local businesses and these funds have resulted in the development of the BC Ale Trail and the Alberta Ale Trail

With the support of this funding, BC-based tech company the Number Creative developed websites that manage the hundreds of listings and develop the custom itineraries or ‘Ale Trails’ for the app and website. These online maps highlight the breweries in each province with a tailored search functionality, and to act as a visual aid within the itineraries.

The Number Creative is now partnering with arts and culture organizations in BC to develop new maps that hope to build on the success of the Ale Trails to use this existing funding to promote cultural tourism.     

Reconsidering Museum Communications Toolkits

Launched in 2020,Reconsidering Museums was national project undertaken in partnership with a consortium of provincial and territorial museums associations and the Canadian Museums Association, led by the Alberta Museums Association. It set out to answer the question, what do museums mean to Canadians, and use the answers to support museums with the tools and language necessary to better connect with and serve their communities, deepening their relationship, and therefore their relevance, to the Canadian public.

Communications toolkits were created specifically to promote and market the value of museums to the public to increase meaningful engagement, and to create a more sustainable and relevant sector: Collecting Perspectives, and Truth Be Bold.  Each package includes message specific graphics and messaging, as well as a how-to guide for creating a social media post using the free-to-use online graphic design tool Canva. The toolkits are available in French and English, with some graphics also available in Inuktut, Mi’kmaq, Plains Cree, Punjabi, Simplified Chinese, and Traditional Chinese.

Reflections for a Canadian Context

Destination Canada has established partnerships with provinces, territories, and the Indigenous Tourism Association of Canada (ITAC) to promote cultural tourism, including Indigenous experiences. In 2020, Destination Canada announced a partnership with provincial and territorial marketing organizations, investing $30 million to support community recovery and encourage Canadians to explore locally​​. Additionally, Destination Canada and ITAC secured a USD $100,000 investment from Expedia Group to boost Indigenous tourism. This funding supports the Truth and Reconciliation Commission’s Call to Action #92 and is channeled into areas like infrastructure, product development, workforce, and marketing initiatives for Indigenous tourism​​​​​​.

Policy Ideas:

  • Enhance Marketing Campaigns for Museum Attractions: Building on Destination Canada’s existing collaborations, there is potential for increased investments in targeted marketing campaigns that specifically highlight museum experiences. Such campaigns could significantly boost museum attendance and revenues, capitalizing on the diverse and rich cultural heritage Canada offers.
    1. Invest in Indigenous Heritage: Dedicated marketing resources should be allocated to promote Indigenous heritage and funding should be made available to Indigenous communities to support local museums, cultural experiences, and arts organizations. This aligns with the broader reconciliation efforts and supports the promotion of Inuit, Métis, and First Nations cultural experiences and perspectives. The strategic partnership between Destination Canada and ITAC, along with the investment from Expedia Group, serves as a foundation for such initiatives​​.
  • Showcase Diversity in Museum Promotional Materials: To accurately reflect Canada’s multicultural society, museum promotional materials should showcase a diversity of perspectives. This would not only enrich the cultural tourism experience but also foster a deeper understanding and appreciation of the varied cultural narratives within Canada.

Government Funding Models


Government Funding Models

A thriving museum sector requires diverse funding mechanisms, especially those that support operations and development. This section examines approaches in the UK, Germany, and UAE.

UK: Leveraging Tax Relief, Accreditation Standards, and Arts Council Support

Museums and Galleries Exhibition Tax Relief: This tax relief, introduced by the government, supports organizations in creating and touring public-facing exhibitions by helping them recover some of their production costs. Arts Council England offers a support service for this tax relief, providing guidance on making claims. This tax relief is a significant source of additional funds for arts and cultural organizations, enabling them to invest in their ambitions. 

Accreditation Scheme: Managed as a UK partnership between Arts Council England, the Welsh Government, Museums Galleries Scotland, and the Northern Ireland Museums Council, the Accreditation Scheme is the industry standard for museums and galleries in the UK. It ensures that museums manage their collections properly, engage effectively with visitors, and are governed appropriately. The scheme focuses on how museums are run, how they manage their collections, and how they engage with their users, thus tying funding to certain standards of operation. 

National Lottery Project Grants: Arts Council England, as the national development agency for museums, champions, develops, and invests public money from the government and the National Lottery to develop museums across the country. These National Lottery Project Grants are available to both Accredited and non-Accredited museums for projects focused on museum practice. This funding supports core operations of museums as well as arts-focused projects, thus aiding in the development of museums of all types and sizes. 

Germany: Federal-State Collaboration in Culture and International Initiatives

Federal and State Governments’ Role in Cultural Preservation: Both the federal and state governments in Germany are actively involved in preserving the cultural heritage from the expulsion regions. They work together to safeguard, supplement, and expand archives, museums, and libraries. This joint effort also extends to promoting and supporting art and education establishments, as well as fostering scientific research related to the cultural achievements of expellees and refugees. This is enshrined in Section 96 of the German Law on Expelled Ethnic Germans and Refugees (BVFG), highlighting the governments’ commitment to cultural preservation and awareness and extending beyond borders. 

International Collaboration and Funding: The German Federal Foreign Office, along with the German Minister of State for Culture and the Media and the German Federal Ministry for Economic Cooperation and Development, jointly finance programs involving several African and European museums, as well as other cultural institutions. This illustrates the collaborative approach of the federal and state levels in supporting cultural initiatives beyond national borders. 

Reflections for a Canadian Context

Canada currently provides project-based funding to museums through various programs, such as the Museums Assistance Program, the Canada Cultural Investment Fund, and the Canada Cultural Spaces Fund. These programs support heritage institutions in preserving and presenting heritage collections and assist arts and heritage organizations in maintaining their financial, organizational, and administrative health​​​​​​ (Source: Funding – Museums and galleries – Canada.ca). 

There is an increasing recognition by many funders, like the Vancouver Fondation for example, that project-based funding models are a barrier to supporting growth, innovation, and resiliency in the charitable sector. Too many organizations attempt to overload on project grants in order to cobble together enough administrative funding to support their actual capacity needs – this leads to projects that are done quickly and rarely have the time and funding required to create ongoing impact. Additionally, many Indigenous communities are pushing back on project-based funding models. Building meaningful relationships between museums and Indigenous communities take time for trust to development and project-based grants do not provide the opportunity for mutually beneficial relationships to develop, instead they continue patterns of extractive exploitation.

Aside from a handful of federally-funded museums and galleries, the Government of Canada offers no operational funding for museums. This means that for more than 90% of the museums in the country, the majority of which are small institutions in non-urban communities, the only available federal funding is project funding. With the severe increase in inflation over the past several years and an uneven return of visitation levels, an alarming number of museums find themselves in positions where they can access funding for new projects, but cannot fund staff to deliver these projects.

Policy Ideas:

  • Providing Core Multi-Year Operational Funding for Museums: To ensure stability in budgeting and planning, Canada should consider transitioning from relying predominantly on project-based grants to offering sustained operational funding for museums. This shift would provide a more stable financial base for museums, allowing for better long-term planning and program development.
  • Expanding Tax Incentives for Museum Donations and Philanthropy: Enhancing tax incentives for museum donations could further encourage philanthropic support. Building on the current system, which offers tax receipts for donations to the National Collection, expanded incentives could attract more substantial contributions from private donors and organizations.
  1. Developing a Public-Private Partnership Model for Flagship Museum Projects: Exploring public-private partnership models could catalyze major new museum projects. By adopting a P3 model, museums could leverage both public funding and private sector investment, expertise, and innovation. This approach could enable the development of ambitious projects, providing shared financial responsibility and potentially better value for money compared to traditional funding methods.

Appendix


Appendix

Theme

Policy Ideas

Policy Frameworks
  • National museum accreditation framework
  • Standards incorporating digitization, sustainability, accessibility.
  • Alignment with funding eligibility
  • Focus on equity and Reconciliation.
Technological Support
  • Enhancing digital literacy training
  • National forum on digitization priorities
  • Innovation fund for emerging tech projects
Educational Programs
  • Core multi-year funding for educational outreach
  • Joint task force for museum-school partnerships
  • Enhancing digital access and literacy in museums
International Collaboration
  • Grants for international traveling exhibitions
  • Funding for global conferences and networks
  • Partnerships for digitization
Conservation Efforts
  • Expand conservation grants and tax incentives.
  • Sector-specific professional development.
  • Research program for conservation science.
  • Promote collaboration and networking.
Emergency Management
  • Permanent emergency response funds.
  • Integrate climate risks into policies.
  • Standardize emergency protocols.
Marketing and Promotion
  • Enhanced marketing of museum attractions.
  • Promote Indigenous heritage.
  • Showcase diversity in promotional materials.
Funding Models
  • Core operational funding.
  • Expanded tax incentives for donations.
  • Public-private partnership model.